Friday, December 15, 2017

MARYLAND FILM FESTIVAL: Opening Friday at the SNF Parkway

Director: Joachim Trier, 2017, Norway, 116 min

Thelma, a shy young student, has just left her religious family in a small town on the west coast of Norway to study at a university in Oslo. While at the library one day, she experiences a violent, unexpected seizure. Soon after, she finds herself intensely drawn toward Anja, a beautiful young student who reciprocates Thelma’s powerful attraction. As the semester continues, Thelma becomes increasingly overwhelmed by her intense feelings for Anja -feelings she doesn’t dare acknowledge, even to herself –while at the same time experiencing even more extreme seizures. As it becomes clearer that the seizures are a symptom of inexplicable, often dangerous, supernatural abilities, Thelma is confronted with tragic secrets of her past, and the terrifying implications of her powers.

Visit for showtimes.

Praise for THELMA

  • Indiewire: "Ingmar Bergman meets Stephen King in Joachim Trier’s beguiling lesbian horror movie." - David Ehrlich
  • The New York Times: "Mostly, and most satisfyingly, it plays with the female Gothic, those unnerving tales — churning with desires and dread, and quivering with anxiety and suspicion — in which women are at once the victims and agents of change." - Manhole Dargis

Director: Oren Jacoby, 2017, United States, 82 min

In the 1980s, Richard Hambleton was the Shadowman, a specter in the night who painted hundreds of startling silhouettes on the walls of lower Manhattan and, along with Keith Haring and Jean-Michel Basquiat, sparked the street art movement. After drug addiction and homelessness sent him spinning out of the art scene for 20 years, the Shadowman gets a second chance…but will he take it? Shadowman plunges the viewer into the chaotic life of a forgotten artist, from early fame as a painter and denizen of the Lower East Side, through his struggles with heroin, to his surprising comeback as street art exploded to become one of the most popular and lucrative art movements in the world. Before Banksy, there was Hambleton.